Friday, October 2, 2009

Gaziantep, Turkey









Gaziantep is one of the modern provinces of South-Eastern Anatolian Region and also one of the oldest of Hittite origin. Being the center of pistachio nut cultivation in Turkey and with its extensive olive groves and vineyards, Gaziantep is one of the important and industrial centers of Turkey.

The old city known as Aintap is located 12 kilometers to the north of the present city, on the upper slopes of Nizip Hill. The area was continuously inhabited starting from the Paleolithic age and witnessed the domination of such powers as the Assyrians, Persians, Romans, the Byzantines, Abbasid and the Seljuk Turks. The times of ascend for the Ottoman Empire meant the same for the city. There are many mosques, inns, baths and medresse built during this time.

Original builders of Gaziantep Fortress are not known. The fortress was restored by the Byzantine in the 6th century. The fortress was later saw restoration again in 1481 during the time of Kayitbay, the Egyptian Sultan, and in 1557 during the Ottoman Emperor Suleyman the Magnificent. The fortress was supplemented by watchtowers, mosques and small palaces. There are 36 watchtowers in walls which have a circular shape for 1,200 meters. Mehmet Gazali Tomb, a mosque and a bath exist in the fortress. It is believed there are galleries and paths leading to the river under the fortress. The fortress was an important rampart in resistance against the French during the War of Liberation in 1921.

Hasan Suzer Ethnography Museum building in Hanifioglu street remaining from the early 20th century was restored and transferred to the Ministry of Culture by a businessmen named Hasan Suzer. The museum simulates the old style of life by decorating its rooms with traditional furniture and by using models. The museum also includes various weapons, documents, instruments used in the defense of the city as well as the photographs of local resistance heroes.

Yesemek Open Air Museum is near Islahiye District, in the village known by the same name. It is the largest open air sculpture workshop in the Near East. It is a sculpturing school, reflecting all stages from the extraction of stones from the quarry to preliminary carving and to the final work. Investigations in the area reveal that the site was functional around 1375-1335 BC when the area was taken by the Hittites and the Hittite King Suppilulluma started to employ Hurris, the native people of the area in quarries. Excavations unearthed a rich collection consisting of sphinx and sculptures of lions, mountain gods and various architectural pieces. In the past, relieves prepared here were sent to such centers as Islahiye, Zincirli and Sakcagozu for final works and completion. The Yesemek Tumulus is located 2 kilometers to the west of the village. It is believed that it was a settlement inhabited by masters working here during the late Bronze Age and the time of the Romans.

Rumkale settlement is located at the point where Merziman brook joins the Euphrates (Firat) river. It is estimated that the settlement dates back to 840 BC and was built by the Hittites. Rumkale later lived under the domination of the Assyrians, Meds, Persians, Romans and the Arabs. It is said that St. John, one of the 12 apostles of Jesus, tried to spread Christianity in the region by using this settlement as a base. Rumkale is the largest of all fortresses in the area and it has many other remains dating back to various periods in history.

Karkamis district of Gaziantep used to be an important center of the east in the Antiquity (then known as Cerablus). The town is located on the Syrian border, the citadel and the inner town on the west side remaining in Turkey, and the outer fortress and town remaining in Syria.

Being an important centre of arts and culture in the past, Karkamis is the setting where the Legend of Gilgamesh took place. Many valuable pieces of art originating from this town is exhibited in museums around the world. At present, one can observe the remains of antic city walls, the temple and Hilani style houses. The temples of Hittite gods Tesup and Hilani maintain their striking features.

The remains of the old city of Belkis (Zeugma) are located in Kavunlu village 10 kilometers away from Nizip district. These remains appear as a tumulus type high acropolis dating back to the Hellenistic, Roman and Byzantine times. The old city is among those which issued coin on their name. Recent excavations revealed a room which is believed to be a part of an old Roman House as well as a mosaic belonging to Dionysos. Sculptures obtained from these ruins were exhibited at the Belkis/Zeugma part of Gaziantep Museum. But on June 2005, 2nd largest mosaic museum in the world (1st is the one in Bardo/Tunis) is opened in Gaziantep displaying 35 pieces of unearthed mosaics and Mars statue from Zeugma. Until this one opened, the mosaics museum in Hatay (Antioch) was the most important one in Turkey.

Dulluk which is close to the city center is ideal for those who would like to rest in a natural setting amidst forest and has camping facilities.

Houses of Gaziantep mostly found in the central town and Sahinbey are the finest specimens of a rich cultural heritage. They have traditional architectural features peculiar to Southeastern Anatolia, Mesopotamia and Syria. The finest examples of the old city fabric can be seen in the area around Hidir and Harap Mescit streets. Built in conformity with the climate of the area, the houses of Gaziantep are adjacent to each other along the narrow streets of the old city. These stone built houses surrounded by walls have their inner yards, smooth roofs with dead basements. Doors and window cases present some fine examples of woodwork.

Gaziantep is famous for its three regional specialties: 1) The copper-ware products. 2) The delicious lahmacun (a kind of pizza in Turkish Cuisine) . 3) Sweet pastry baklava, which Gaziantep makes the best in the world.

The Gaziantep kitchen has a special influence on the Turkish cuisine with its immensely rich flavor. In addition to dishes which date back to the Oguz Turks, there is the influence of Aleppo. Its rich kind of soups, rice meals, kebabs, meatballs, etc. are among the most favorite. Local desserts include baklava, kunefe, burmali kadayif, sari burma, mashed pistachio and milk fat.

Inns are the symbols of the past economic and commercial richness of Gaziantep. They are still functional today as trade centers. These include Sira Hani, Kumrulu Han, Yeni Han, Kurkcu Hani, Anadolu Hani, Incioglu Hani, Tuz Hani and Haci Omer Hani.

There are two bazaars which could survive to our day and are still used. One of them, Zincirli Bazaar, was built in the 18th century. The bazaar is locally known as "black steps bazaar" and has 80 shops and five gates. The other bazaar, Kemikli, dates back to the 19th century. It is a cut stone and rectangular structure with two gates.

Gaziantep bore the influence of many civilizations for its location as a crossroad between the east and the west or between the Eastern Mediterranean and the plains of Mesopotamia. Coppersmith works, mother of pearl working, traditional shoe making, cloth making, stone working, antique weapons, gold and silver works are the leading traditional handicrafts in Gaziantep.

Gaziantep has a territory of 7,642 square kilometers and a population of 1,127,686 (1997). It is the leading province of the GAP region in terms of population density. It has 9 administrative districts: Sahinbey, Sehitkamil, Araban, Islahiye, Kargamis, Nizip, Oguzeli, Yavuzeli and Nurdagi.

Gaziantep is the most developed city of GAP in agriculture, industry and commerce. It has its pistachio known by the name of the city. Vineyards and olive orchards are also important. Manufacturing activities in Gaziantep are mainly carried out by small scale enterprises. As a vivacious industrial and commercial center, Gaziantep has cement, textile, leather, shoemaking, soap, woodworks, metal and machinery industries and workshops. It maintains its status as an "export gate" by its 120 different products exported to 40 countries.


The Gazianten district from an historical geographic point of view has a North Syria-Anatolian (Asia Minor) culture somewhere between east-west, situated on military and trade routes as well as being a crossroads, in today's Turkish Geopolitical make-up is still an important factor. For this reason, almost all cultures from the historic ages have influenced the Gaziantep district which has more than 250 mounds, which were first formed in the Neolitic age by the collective gathering of items from settlements reflecting culture and architectural advancement levels with each level belonging to a town, village or settiement. The oldest Anatolian findings attributed to man were some stone tools found in the DQllik Paleolitic cave, dated 600 thousand years ago, in the mid-Paleolitic age cultural life, especially from the Bronze age, Gaziantep and its environs shows signs of being a bustling settlement. This region was active in the Hum, Hitite Empire, Late Hitites, Assyrian, Persian, Hellenistic and Roman periods. Along with the Byzantians and Islamic periods, the Crusades of the Middle Ages brought new geopolitical forces and made Gaeiantep the scene for many historic events. The Gaziantep Museum has had more than 35 working sites for joint efforts and rescue digs, as well as scientific digs with all artifacts now located in the museum. In 1998 the Director of Museums sponsored 11 archeological digs usually with the assistance of the Gaziantep Museum and a total of 64 thousand artifacts were discovered.

The Gaziantep Director of Museum is responsible for the Archeological Museum, Etnographical Museum and the lslahiye Yesernek Open Air Museum. The Director of Museums is also responsible for 693vimmovable (parmanent) culture location and 221 archeological site areas. In 1944 Sabahat Göğuş gathered artifacts from here and there to establish the uaziantep Museum. First housed in the Nuri Mehmet Pasha Mosque, they were brought to this building in 1969. In a short time the museum needed to be enlarged due to the richness of the archeological potential of this location. 1976 saw the start of an additional ha!! and after standig half-completed for a lono time. it was finished and increased the museum space greatly. The buiiding today has 5 exhibition halls that remain humble beside the exhibits presented from f all the afore-mentioned sites.The Gaziantep Museum while trying to break I out of image as an historical depot and awake visitor sympathy tried to target new exhibitions.

MUSEUM HALLS

A. Temporary Exhibits and Nostalgic Displays

The long narrow hall at the entrance is usually used for temporary or periodic exhibits that change regularly. To attract those individuals who like pictures and chacterizations, a characterization exhibit, entitled 'Archeology' was held.

B. Chonological Hall

In this hall, Anatolian and Gaziantep's antique settlement locations and excavation centers are displayed on large panel maps for knowledge and there is also a chronology of Gaziantep's district. The first is of the natural history, especially the DillUk and Euphrates paleolittc stone tools, the techniques for their usage, didactic materials continue the display. Various CalcolMc and Bronze Age stages are displayed. The Iron Age and its shining example of civilizalion, the Urarians, are the last display. The second section contains, Acamedian-Persian, Hellenistic and Koffimagene with special Roman age artifacts placed in the display. The next section displays the decorated cups and various oil lamps of the Byzanliunti and Islamic periods bring this exhibit to a close. Also located in this hall is the Belkis-Zeugma Excavation 'Findings and Childhoods Toys of the Ages' display. There are also the bones of a mammoth and a stuffed crocodile on display.

C. Bellas-Zeugma Hall

Another long narrow hall displays the findings of the Belkis excavations on-hand and especially the carved gravestones and reliefs along with mosaic panels. (The 4th century A.D. graverooms with corridors and terraces with statues reliefs of the deceased are a special feature of the Zeugma necropolis.) Also displayed here was iliegally removed from our country in the '1960's by the United States of America.
Recently arranged according to modem museum standards, one side displays artifacts from all ages of bronze, there are the superstitous smail statuettes of people and animals, cult artifacts, figures, stamps and cylindrical signets, decorated needles, bracelets and tork's with fibula's, ring stones and classic-age hair signet presses with gold and silver ornamentattons. The other side holds the coins according to their pressage (minting) and period with notes about each period and special coins on the panels. The displays on the side contain gold, silver, and bronze coins from Greek, Hellenistic, Roman, and Byzantium periods beside Ottoman ornaments for the visitor to admire.
In the corridor joining this hall with the BeltasZeugma Hall, on two antique wooden buffets is a collection of "Old Gaziantep Children's Toys" restored and donated to our museum by Mrs. Akten Koyluoglu.

E. Exhibition Hall

This hall, again a first for our country's museums, displays a 60 panel panorama of "The founding of a Roman Period City' with a drawing exhibition area. •Turkish Architectural Works' and 'Archeologic Cultural Wealth' with 'Plundered Anatolia' were large photographic panels originalli/ sponsored by the Cultural Ministry and sent for display in many foreign countries, we have on display their reduced size copies. The Museum Director's 1997-98 excavations in the dam area of an Old Bronze Age Necropolis uncovered 312 gravesites and many remains and artifacts were taken More than 34 thousand signet presses which were uncovered at the Belkis-Zeugma excavations, now a panels display documents and information on local treasures illegally taken out of the country and current.

F. Museum Garden

In the front garden are funeral banguet reliefs and markers of the Hitite and Late Hitite periods. The -side garden is mostly occupied by finds from the Roman period at Belkis-Zeugma with men represented as eagles and women by wool basket motifs on the grave displayed in the garden. New large rock and stone artifacts and mosaic panels will be displayed in the new building upon completion due to lack of current space.

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