Showing posts with label Germany. Show all posts
Showing posts with label Germany. Show all posts

Tuesday, January 24, 2012

Leverkusen, Germany


Leverkusen, city, North Rhine–Westphalia Land (state), west-central Germany. It lies on the Rhine River at the mouth of the Wupper River, in the Dhünn valley, just north of Cologne.
Formed on 1.4.1930 by the union of the town of Wiesdorf, the communities of Schlebusch, Steinbüchel and Rheindorf, it is well served by highway and rail and is the headquarters of the pharmaceutical firm Bayer. In 1975 the regional reorganisation took place and by union with the district town of Opladen (with Lützenkirchen, Quettingen, Rheindorf, Alkenrath, Bürrig, Küppersteg, Manfort), the town of Bergisch Neukirchen and Hitdorf, a former part of Monheim. Other economic activities include metal plating and the manufacture of machinery and textiles. Morsbroich Castle houses a museum of modern art and is used for plays and concerts. There are numerous parks and open spaces. Pop. (2003 est.) 161,543.
Leverkusen is well connected with the airports of Desseldorf and Cologne. Thus it is very easy top reach the city and the good networks or railway and roads make it even easier.
By its twin towns it is connected with Oulu, Finnland (since 1968), Bracknell, England (since 1973/74), Ljubljana, Slowenien (since 1979), Nazareth Illit, Israel (since 1980), Chi-nandega, Nicaragua (since 1986), Schwedt, Federal Republic of Germany (since 1989), Villeneuve d’Ascq, Frankreich (since 2001), Ratibor/Racibórz, Polen (since 2002) and it is in loose contact with Wuxi, China. 
 If you are interested in art, history, architecture, botany, environmental questions or in the carnival, there are some interesting places:
The baroque Morsbroich Museum in Alkenrath, buiilt the 18th century on the ruins of a moted castle of the 13th century, where you find an international collection of modern art. Here numerous worthy exhibitions held on literature and art that attract considerable visitors.
The Colony Museum or the Museum of Industry is excellent places to get a taste of the culture and lifestyle of Leverkusen, Germany. 
Near by the Chapel St. Gezelin is situated with its healing water, as people believe.
The fabulous Water Tower allows tourists to enjoy the breathtaking view of the entire city from its heights. 
Once a year an European day is celebrated and all the different clubs of foreigners, living in town, present themselves, here concerts take place and here you find a nice restaurant.
The other must-see places in Leverkusen are Recovery House, a Museum of Industry in the Kuhlmannsche Sensenfabrik in Schlebusch, or the Villa Wuppermann, built in the 19th century in the style of an Swiss country house, a citizens meetingplace. The history of town is presented in the Villa Römer, former residential building of a factory owner, in Opladen.
The Stadium BayArena is a place that throbs with life and gets filled with football lovers from various parts of the world. 






















Wednesday, December 17, 2008

Neuschwanstein Castle, Germany









It is surely the most famous castle in the world — and, like its builder, one of the most misunderstood. Neuschwanstein castle is a structure of contrast, irony, and mystery — and beauty. When it was built, the castle was not known as Neuschwanstein. Ludwig II wrote his friend Richard Wagner in May 1868: “I intend to rebuild the old castle ruins of Hohenschwangau by the Pöllat gorge (Pöllatschlucht) in the genuine style of the old German knightly fortresses...”
Just as his father had done before him, Ludwig wanted to build a splendid new castle upon the ruins of another. His new project was known as the “Neue Burg Hohenschwangau” (“New Castle Hohenschwangau”). Only later, when the castle was opened to the public on August 1, 1886, just weeks after Ludwig’s death, did the edifice come to be known as “Neuschwanstein” (“new swan stone”).

One of biggest ironies of this castle is that a structure built to be a private refuge, “sacred and out of reach” (“heilig und unnahbar”), should now be host to thousands of tourists each year. Another irony: although it was built largely as a stage for Wagnerian productions (“a worthy temple for the divine friend [Wagner]”), the composer never set foot in Neuschwanstein. Nor was the castle’s throne room was ever completed in time to contain a throne.

To execute his dream project, the king commissioned a stage designer as architect. The castle that Christian Jank designed for Ludwig inspires awe and surprise in visitors to this day. But in part because the Disneyesque image of Neuschwanstein has become such a cliché, it is easy to dismiss it as an ostentatious example of poor taste, an anachronistic piece of foolishness. Nevertheless, ever since it was opened to the public, Neuschwanstein has acted as a powerful magnet. The castle’s unique location combined with Ludwig’s “fantasy in stone” creates a special magic. But like any work of art, the more one knows about Neuschwanstein, the more one can appreciate it.

The engineering architect was Eduard Riedel (after 1874, Georg Dollmann; from 1886 to 1892 Julius Hofmann), and Neuschwanstein is an engineering marvel. The castle’s construction lasted 23 years, until long after Ludwig’s death. Although built in the Germanic late Romanesque style of the 13th century, the castle was equipped with the best technology available in the late 1860s. Quite unlike any real medieval castle, Neuschwanstein has a forced-air central heating system. Its rarely-used kitchen was of the most advanced design. The winter garden features a large sliding glass door.

Out of all of Ludwig’s amazing “fantasies in stone,” Neuschwanstein seems to be the most fantastic.

With some of the structure still not totally complete, Ludwig moved into Neuschwanstein’s finished rooms for the first time in 1884. The king spent eleven nights in his dream castle from 27 May to 8 June.

Contrary to popular legend, Ludwig’s building projects did not bankrupt the Bavarian treasury. Neuschwanstein, like Ludwig’s other castles, was financed entirely from the king’s own funds.

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